
In Snowpiercer, the train becomes a microcosm of class division: sunlight, space, and resources divide the front and rear cars.
This sequence uses the same idea. Light, space, and height act as metaphors for privilege, revealing the city’s social hierarchy. The wealthy live in bright, open rooms; the poor in cramped spaces lit by artificial light.
Like the film, both worlds appear in the same room, making the contrast impossible to ignore. The imagery becomes a quiet metaphor for how deeply class divides are built into the city.